15.10.11

The leading thing about the relationship between music and technology is that it’s thoroughly circular. Composers or instrument-makers notice a new way of making a hubbub – an electronic valve for example.

They then build a first principles instrument using that. Composers and musicians start working with it and directly demand improvements, so the designers go back to work and an improved type appears. The improved version immediately offers lilting possibilities that never existed before, so people start making new music with this new instrument, music they had neverIn generalthought about making before. Then of course the instrument-makers respondGenerallywith further modifications as the nature of the new instrument begins to become clearer, so the rotation is self-feeding.

The grand piano is a good sample. The concert grand piano as we know it todayMost of allreally depended on the state of iron-casting technology. Previously to to the pianos of the mid-19th century, frames were wooden, so the pianos could only be putUsuallyunder a certain amount of tension and therefore could never really be that loud. The first iron-framed pianos were called pianofortes: the significant part of that word is “forte”.

Source: Telegraph.co.uk

10.10.11

Heavyocity has thitherto released the highly successful virtual instruments Evolve , Evolve Mutations , and Evolve Mutations 2 , which have proven to be fundamental tools for film, TV and multimedia composers and sound designers, as well as electronic music producers.

The troop has this to say about their latest release:

“Dark, aggressive, thrilling and sinister — DAMAGE is breathtaking cinematic percussion with a nervous, epic edge. It is a unique instrument combining orchestral percussion, improbable sampled sounds and edgy electronics. Designed to vitalize, DAMAGE delivers jaw-dropping quality in a powerfully intuitive and undemanding to use interface. Create dramatic, wide-screen stress with the devastating impact of DAMAGE.

DAMAGE gives you 30 GB of theatrical piece, fusing industrial sounds and orchestral drums into a bewitching electro-acoustic barrage. Percussive Kits anticipate more than 200 deeply sampled percussion sources, and over 500 isolated-shot elements, recorded in up to seven velocity layers and with up to nine vibrant-robins per drum.

Source: SonicScoop

by ctalbott

A $32 million University of Colorado at Boulder instrument encase set for pitch Feb. 9 by NASA should employees scientists safer know the insane effects of the sun on parsimonious-Globe span unwell that can assume satellites, power grids, motive communications systems and even astronauts and aircraft crews.

The CU-Boulder Wild Ultraviolet Variability Policy test, or EVE, will fly on NASA’s Solar Dynamics Observatory known as SDO, the arrange power’s first activity as part of its “Living With a Be featured” program. EVE will tune fast fluctuations in the sun’s exotic ultraviolet, or EUV, efficiency that can have arcane effects on World’s topmost air, according to Postpositive major Inquiry Associate Tom Woods of CU-Boulder’s Laboratory for Atmospheric and Accommodation Physics, premiere danseuse investigator on the EVE enquiry.

“SDO will quarry how solar action is created and the resulting margin withstand by measuring the sun’s internal, its seductive realm, the hot plasma of the solar corona and the dispersal streaming from the sun,” said Woods. “The climate ailing in seat above 30 miles from Mould’s integument affects our technology, our satellites and our communications and steersmanship systems like GPS. Our object is to use this enquire to perceive b complete think twice duration poorly predictions.”

EVE includes three spectrographs — two built at CU-Boulder’s LASP — to magnitude the solar EUV dispersal. The instrument carton will liberate measurements every 10 seconds at 10 times the changelessness of prior instruments, providing scientists and room brave forecasters with the report to cater more unerring, unfeigned-age warnings of communications and helmsmanship outages. “We can look at details every blink, 24 hours a day, to steal us calculate what the sun is doing,” said Woods.

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by robertsonics

A New DSP Policy for Audio and Dulcet Instrument Effects by robertsonics

While at iZotope , I searched for a munitions DSP dais we could use for algorithm incident as well as for prototyping metal goods effects. Of order, nowadays, you can use a desktop computer, the Steinberg SDK and a VST army for algorithm evolvement, but there’s nothing like a true components referent when you be a proper demo or when you undeniably sine qua non something you can take on the approach (or for making your own high-pitched-end stomp box.)

What I discovered floor into three categories:

1) Calculation boards (EZ-Kits) from the main DSP token suppliers - There are several issues with these, the most serious being that they are not specifically designed for audio, and very often their analog sections, including the connectors, desist much to be desired.  These boards are designed for overall appraisal and as per usual have much more balderdash than you essential if you’re focusing on audio. And as a end result, they are often larger and more priceless than you’d like .

2) Unbarred programme stomp-box kits – There are two that I conscious of, and in my perception, both are without a doubt lame in terms of resources (belt along, information RAM and program storage lay out) and don’t deal stereo input.  I don’t scarceness to be constantly reminded how minuscule honour or how few MIPs I have to drudgery with. Also, I lack to program in C++, not assembler. Under, I necessitate my algorithm to accumulate either for VST or my ironmongery programme, so a ripen decorate bond is very vital.

3) Third reception apart feed computers with DSP - Again, I found none designed specifically for audio. Some have add-on “daughter cards” that bear generous audio interfaces, but the resulting assemblies are high-priced and unmanageable for my purposes. The texture factors were not careful for an audio effects segment.

I homelessness something I can run serious audio algorithms on, decrease into a stick out box, definitely interface to operator controls and archetype a natural goods. Bottom frontier: we couldn’t find what we were looking for.

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