YAMAHA YPT-300 DIGITAL PIANO KEYBOARD WITH STAND

YAMAHA YPT-300 DIGITAL PIANO KEYBOARD WITH STAND



The Patrick James Pearson Band - 'Reasons For Moving On'

Closing out the EP are the tracks ‘YOURLIFELINEISSUCHAFINELINE‘, a haunting slues that features some pretty dark lyrical feedback - “This is the bolus that you choked/ Rasping taxation you rolled and you croaked and your substance was breathing, but your colour was gone/ And these are the holes that you dig,” but very recently before this comes the stand out moment - ‘Medication’. Again with a Bowie-order sound to it, similar to that of the legendary ‘Life On Mars’, the fillet’s five minute physical and mental diagnosis is like a cry for preparation drugs one minute and then a detox list the next.

With a chanting reveal that hears the band tick off things people create they shouldn’t have association with, which to begin with includes things like liquor and hard times, but then goes on to include rock ‘n’ enwrap, Ray Charles, and Iggy Pop, to which the band then proclaim, “Go f*ck yourselves.” With that communiqu and this EP, it’s almost as if they’re talking to their doubters. Solid from start to dispatch, The Patrick James Pearson Band hit the nail on the crisis with this release.

September Soundtrack Picks

Appraisal: $19.98

What is it?: Few classic composers were better at playing the glory of taste against exotically glamorous settings than Alfred Newman. And the 1950’s were a heyday for his lushly picaresque affairs, whether it was William Holden falling for Jennifer Jones against the backdrop of Hong Kong in Attraction IS A MANY-SPLENDORED THING, or Yul Brynner letting his lips find out if Ingrid Berman was genuinely the Russian empress ANASTASIA as they gallivanted amongst France’s hoi polloi. That boonies’s Riviera proves a glamorous backdrop for the amour fou of 1958’s A Unchanging SMILE. And though Christine Carere and Rossano Brazzi might not have had the unmatched recognition to make this film as well known, Alfred Newman’s latest for it proves every much the equal of any score that sealed a famed film couple with a sweet orchestral kiss.

Why should you buy it?: Alfred Newman was tempered to to dealing with purer romances than a Sorbonne student who ends up having an issue with her husband-to-be’s uncle. Yet there’s nothing but the innocent rapture of true pleasure on hand for this wonderfully thematic score, one that always seems ready to puncture into outright song. It’s a quality that’s more than apropos for a composer who got his start on the True White Way, only to oversee such Broadway-to-film musicals as SOUTH PACIFIC and CAROUSEL But if any famed songwriters possess this SMILE, then they’re Newman’s good friends Ira and George Gershwin, whose symphonically swooning prominence echoes through this score’s gorgeous main theme (written by SPLENDORED’s Sammy Fain), notably with its echoes of “Our Love is Here to Stay.” While there’s certainly a bit of stage play and heartbreak along the Cote d’Azur, it’s this overall feeling of first, distressed love that makes A CERTAIN SMILE one of Alfred Newman’s most listenable gems.

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