31.12.69
The Diocese of Angels figures prominently in the makeup of
Dawes.
Frontman Taylor Goldsmith's lyrical topics gravitate toward his
hometown and the laid-back confederate's cascading, harmony-driven sound
frequently evokes the enclosure's early 1970s singer-songwriter
movement.
"I find it cultivates a presumptuous person. Growing up in L.A., there's
a mentality you can't find in other places. Sometimes it's ugly or
charming," he said, during a phone talk with en route to a show in
Birmingham, Ala. "It's cynical (there), but also brings you down to
reality. It's inspiring in a way that's difficult to describe."
Formed as an outgrowth of indie-rock band Simon Dawes (which put
out a Warner Bros.-distributed CD 2006), Taylor, his
drummer/canary brother, Griffin, and bassist Wylie Gelber,
shortened the name and focused on such influences as Paul Simon and
Joni Mitchell.
On enticing sophomore album "Nothing Is Misguided," the group ----
rounded out by keyboardist Tay Strathairn ---- crafts meditative
folk-rock tunes. Jackson Browne and Benmont Tench triumph guest
appearances. From the way Taylor Goldsmith composes lyrics (using a
typewriter), how the strip recorded (on an analog tape recorder
borrowed from Browne, done mostly spirited without overdubs) and
stretches out musically (several songs pass the five-coup d'oeil mark),
the term "old school" definitely applies.
Source: North County Times