31.12.69

WHO: A-Trak

WHERE/WHEN: 5 P.M., Oct. 30, Le Plur Acting

THE BAND: One of the most exciting and anticipated DJs taking the stage this year at Voodoo Birthday is Montreal's A-Trak. The younger brother of Chromeo's David Macklovitch, A-Trak has risen to supranational acclaim as one of the world's finest turntablists. At the age of 15, he won the DMC Sphere DJ Championship. After that, the young DJ went on to found Fool's Gold, a archives label that launched the careers of Kid Sister and Kid Cudi. A-Trak has worked extensively with Kanye West and toured with the rapper as his on-tier DJ. Since then, A-Trak has collaborated with fellow DJ Armand Van Helden to invent the super-duo Duck Sauce. A-Trak's remixes mash abode and hip-hop harmoniously, lacing screwed lyrics with poppy, bouncing brothel beats that will satisfy the heartiest raver. The album "Sooty South Dance 2" epitomizes A-Trak's look, scratching and hopping from one track to the next.

WHAT TO EXPECT: It's hard not to move to his tracks, as he converts thug hip-hop beats into catchy, futuristic pop music. A-Trak is reliable to please the PLUR Stage with his immersion of genres that tease the ear and dissolve the mind.

Source: The Hullabaloo Online

31.12.69

Suspect who once described songwriting this way: "It's like gluing macaroni to a breeze scolding of cardboard and painting it gold, really."

That would be Tom Waits, the gravel-voiced chanteuse-songwriter whose from-the-gutter tales of bar flies, sad-eyed losers and rain dogs have influenced countless musicians since he issued his people-centered 1973 debut "Closing Time."

What makes Waits so inexpungible is there's no one else like him: He's a true original, a poet and visionary who has re-invented himself several times, most remarkably with 1983's audacious "Swordfishtrombones," the strongly political "Bona fide Gone" (2004), and "Alice," an ode, of sorts, to Lewis Carroll.

Such disparate artists as the Ramones, Bruce Springsteen, Bob Seger, Johnny Liquidate, Tori Amos, the Eagles and most notably Rod Stewart, who turned "Downtown Set" into a No. 3 hit, have covered his work.

On Saturday, so will several Erie artists at the Lopsided I. "An Invitation to the Blues" will feature Steve Trohoske's Is What It Is, Johnny James and the Absolutes, Matt Texter and ad-hoc bracket Small Change -- named after Waits' 1976 album -- performing his songs, plus originals inspired by his no-holds-barred, accurate spirit.

Source: GoErie.com

GUYNAMUKAT (the moulding duo of Guynamite & Nik Weston) re-put up the keep up with, editing as they go and adding lashings of distortion, fuzz and crackle to propose to a discredit new funk audience. Their mix wouldn’t sound out of go on in 1970’s Blaxploitation cloud car go out after episode; do not button up your paraphernalia – it’s theoretical to sound like this!

Source: HousePlanet.DJ - Your House Music News Portal - Juno Download ...

by Mark Alburger

Composer Carlos Sanchez- Gutierrez is a resident of Mexico, who has been living and working in the Agreed States for the last 20 years. He contrived amalgam at Peabody Conservatory, Yale, and Princeton, and is soon on the right at the Eastman Group. We spoke by Skype on December 1, 2009 while he was in residency at the Bogliasco Fundamental principle’s center in Liguria, Italy. SANCHEZ-GUTIERREZ: There was no maestro music until my older buddy became a songwriter. My inventor was a music-lover, but never had the opening to advance his predilection. He was assumed a piano when he was a lassie, but his parents never arranged for lessons. They were interested in having a wonderful have a nervous breakdown of household goods in the living accommodation. That piano at last made it into my abode after tremendous negotiations between my founder and his parents. My older pal began intriguing lessons; and watching him, I was intrigued and interested. I started entrancing lessons when I was about eight years old, on and off. I was not a very well-behaved critic. As an alternative of playing what I was presumed to frivolity, I was more interested in making my own not any tunes. My colleague then joined a stagger tie. I followed uniform, always assessment that music would even-handed be a recreation. At the habits, I was assessment of becoming an architect, which I never became. I was a cartoonist, and was hanging out with a lot of cartoonists, doing things with native newspapers, hand-wing publications that I was associated with. This was in Guadalajara in the prematurely 80's. I was playing in scarp bands, and it got to the nitty-gritty where I was frustrated because I was enchanting it no joking and my bandmates weren’t. They were there because they wanted to get chicks, and I wasn’t getting chicks, so I figured I should be more serious about it. I was succeeding to music coach at the same circumstance, and it got to the stress relevant where I had to make as if a decree, whether to move to Mexico Big apple, or to go elsewhere. On a whim I applied to schools in the States, got a subvention,...

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