17.10.11

The belles-lettres, which has surprised Beatles scholars, is set to be auctioned next month by Christie's. It was written two years before the confederate bounced drummer Pete Best in favor of Ringo Starr, who arrived honest in time to help the Beatles conquer England and then the the human race.

Handwritten by McCartney and dated Aug. 12, 1960, the letter offers an audition to someone who had advertised their availability in the Liverpool Imitation newspaper four days earlier. The unsigned ad said purely: "Drummer-Young-Free."

At the time, McCartney was playing guitar in the orchestra while the late Stuart Sutcliffe handled bass guitar. He offered the drummer an audition with the caveat that if he joins the keep he must be ready to travel almost immediately to Hamburg. The Beatles honed their harmonious chops playing at low-rent clubs in the German burgh's famed red-light district.

"Expenses paid 18 pounds per week (approx) for two months," McCartney wrote. "If interested loop Jacaranda club."

Source: CBS News

11.10.11

Among Kelly's primary pieces that stood out at the Salem State concert was "Eggshells," for the snug sound the band provided to accompany Kelly's wonderful mezzo soprano voice and her emotions of being in love with someone who doesn't pay enough r to her. Another stunning piece was "The Night Time," for the simulation of ruffle provided by pianist Doug Johnson and drummer Norm Walker in the opening and the entrance of bass player Evan Gregor making the melody reminiscent of Bizet's "Habanera" from Carmen. Lastly, "Resentful Bird" was outstanding with its sparse arrangement of only the bass and Kelly singing, showing a dictatorial display of the improvised jazz singing style of scatting and even adding a jest that she was in Salem during it.

The remaining songs were very enjoyable on their own goodness assets. Next to Kelly was her highly skilled band, including Jason Palmer, who could run around the trumpet as easily as Kelly played saxophone. The piano and bass remained as infallible and steady rhythm instruments as well as the drums, while the Gregor took a unaccompanied in "Search for Peace" towards concert's end as the drumming built in aggregate and displayed amazing speed while keeping a consistent character to the sound and rhythm. The brass instruments had many long solos, while the arsis section had a few short solos with an impressive display of knack showing how well they have practiced.

Source: Salem State Log

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